澳洲作业代写:哈姆雷特

2017-04-21 13:13

哈姆雷特，也许是莎士比亚最著名的悲剧，探讨了一个男人的内心痛苦，寻求弥补他的叔叔和母亲的罪孽。哈姆雷特是一个陷入复仇阴谋而不是英雄人物的内省人物。Michael Neill认为复仇体裁作为失去天主教仪式的补偿，作为“一个回应一个特别痛苦的死亡…早期现代追思PECT批发位移死者从他们熟悉的地方，在事物的秩序的炼狱和代祷的新教仪式取消。”[ 9 ]提出了复仇悲剧作为解释原罪，尼尔认为，流派的代表试图来相信孩子继承的罪都和父母的性行为后果的原因。哈姆雷特显然是出于基督教的信念，孩子们继承了一个污点，父母的罪过，这是他自己注定要重复的罪的结果。Thomas Browne Pseudodoxia Epidemica，十七分之一世纪的百科全书旨在吸引真理和科学探究原因，Browne描述了秋天的当代诠释为一个事件，是所有人类的缺陷的来源和模型。
澳洲作业代写:哈姆雷特
Hamlet, perhaps Shakespeare’s most famous tragedy, explores the inner torment of a man seeking to atone for the sins of his uncle and mother. Hamlet is an introspective figure caught up in a revenge plot rather than a heroic figure. Michael Neill has argued that the revenge genre served as a compensation for lost Catholic ritual, acting as “a response to a particularly painful as pect of the early modern reimagining of death … the wholesale displacement of the dead from their familiar place in the order of things by the Protestant abolition of purgatory and ritual intercession.”[9] Proposing revenge tragedy as a reinterpretation of original sin, Neill argues that the genre represents the attempt to come to terms with the belief that children inherit a sin which is both the cause and consequence of parental sexuality. Hamlet is clearly motivated by the Christian belief that children inherit a stain which results from parental sin, a sin which he himself is doomed to repeat. In Thomas Browne’s Pseudodoxia Epidemica, a seventeenth-century encyclopaedia meant to draw truth and reason from scientific enquiry, Browne describes contemporary interpretations of the Fall as an event which is both the source and model of all human flaw.